![]() Faded Seaside Glamour is an indie pop and dream pop album that evokes the sound of bands Geneva, Cocteau Twins and The La's, with elements of The Byrds and The Hollies. Greg Gilbert said they also considered titling the album Our True Intent Is All for Your Delight, which is a reference to a book of photography by John Hinde. Gilbert said the album's working title was Take Some Home with You because the band members were "all telling people to 'take some (flyers) home with you' after the gigs". Tim Den of Lollipop Magazine described the album's title Faded Seaside Glamour as an "abandoned boardwalk" that "still soaks up and reflects the summer sun, but is no longer the vibrant, cherished locale showered with people's love". Sutton then mixed the recordings at Dustsucker Sound. Paul Corkett also engineered "Long Time Coming", "No Ending" and "Stay Where You Are". "Bedroom Scene" and "On" were recorded at Dustsucker Sound in Hackney, London while "Long Time Coming", "No Ending" and "Stay Where You Are" were recorded at Moles Studio in Bath, Somerset, all with producer and engineer Graham Sutton. Duncan Lewis and the band produced tracks "Wanderlust", "Nearer Than Heaven", "You Wear the Sun", "Hey Girl", "There's Water Here", "Satellites Lost" and "One Night Away", all of which were recorded with engineer Phil Aul at Rockfield Studios in Rockfield, Monmouthshire, Wales. įaded Seaside Glamour was recorded during three months Aaron Gilbert had been a member of Delays for only a few months up to now. ![]() They started touring with acts Tim Burgess of the Charlatans, the Sleepy Jackson and the Thrills, which brought Delays attention from critics in Europe and the United States. The band gave the label a five-song acoustic demo that featured "Hey Girl", "Satellites Lost", "Wherever You Fall I Die", "Overlover" and "Hideaway". Geoff Travis, the founder of Rough Trade Records, saw Delays perform live he was impressed by the sound and promptly signed them. Greg played along to the loop, which marked Aaron's introduction to the band. At this point, he created a loop of what would become the song "Wanderlust". Gilbert's brother Aaron, a keyboardist and previously a member of Corky, was interested in techno music. They began recording their debut album with Mike Hedges in mid-2001 but it was later scrapped. Delays made CD samplers, which consisted of "Nearer Than Heaven", "You Wear the Sun" and "Zero Zero One", and sent them to record labels. The same year, the first three regrouped under the name Delays, taking influences from 1960s rock and the keyboard work of Cocteau Twins. They attracted some attention in their home city Southampton but broke up in 2001. Vocalist and guitarist Greg Gilbert, bassist Colin Fox and drummer Rowly performed as the Britpop act Corky, which also featured Gilbert's brother Aaron Gilbert on keyboards. The band then returned to the UK, where they supported Franz Ferdinand and Snow Patrol, and ended the year with a headlining UK tour. In July 2004, Delays toured the United States with Cardia and Paula Kelly. The latter release was followed the next month by a performance at the NME Awards. In January 2004, "Long Time Coming" was released as the third single and peaked at number 16 on the UK Singles Chart. The second single, "Hey Girl", entered at number 40. The lead single "Nearer Than Heaven" initially reached number 91 on the UK Singles Chart, but after its reissue in March 2004, it peaked at number 21. The album charted at number 17 in the United Kingdom and it was certified silver by the British Phonographic Industry (BPI). Music critics gave Faded Seaside Glamour generally favourable reviews some critics praised the band's musicianship and others highlighted Gilbert's vocals. ![]() Faded Seaside Glamour is an indie pop and dream pop album that has been compared to the works of Cocteau Twins, Geneva and The La's, and Greg Gilbert's vocals have been compared to those of Stevie Nicks and Elizabeth Fraser. Delays recorded the album in three months with producers Duncan Lewis and Graham Sutton at Rockfield Studios in Rockfield, Monmouthshire, Dustsucker Sound in Hackney, London, and Moles Studio in Bath, Somerset. ![]() The band signed to Rough Trade Records after its founder Geoff Travis saw them perform live. After the end of their previous band Corky, the members formed Delays lead singer Greg Gilbert recruited his brother Aaron, a keyboardist, into the band after hearing him play a loop. Faded Seaside Glamour is the debut studio album by English rock band Delays, released on 5 April 2004 through Rough Trade Records.
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Every ball of yarn is handcrafted by our artisans.īig Cotton is now available for those who want something for warmer weather or who are allergic to wool. 5 loopymango (794) 8.00 More colors Loopy Mango Summer Yarn loopymango (794) 16. Unlike synthetic fibers, our 100% Merino is 100% renewable, which makes us and Mother Earth happy!īig Loop yarn is produced at our mill in Key Largo, FL with 100% domestic merino wool. Loopy Mango Fluffy Alpaca 88 percent Super Fine Alpaca 12 percent Wool Yarn YarnAve (357) 28.66 More colors Loopy Mango Fluffy Alpaca Yarn for Chunky Knits loopymango (794) 29.00 Loopy Mango Super Cropped Cardigan PATTERN- Merino No. You can go into any craft store and pick up some soft acrylic yarn, but you know it left a bad by-product and will leave a footprint when it’s tossed away. If it’s a little too cold, it will hold onto the warm air in its chunky fibers without weighing you down - Think of it as wearing a fluffy cloud.īut, aside from wanting a comfortable, super soft yarn, it is important to us that our products do not hurt the environment. If it’s a little too warm, Merino will wick away the moisture to keep you comfy cozy. 5 Yarn (Midnight) 7 31 00 Get it Mon, Mar 28 - Wed, Mar 30 9.50 shipping Loopy Mango Summer Yarn (Apricot) 1 16 00 Get it Mon, Mar 28 - Thu, Mar 31 9. Merino is soft and comfortable to wear, no matter what the weather is. 1-48 of 74 results for 'loopy mango yarn' RESULTS Price and other details may vary based on product size and color. We just want to cuddle those little sheep all the time! ![]() Merino sheep have extremely fine fibers that result in very soft yarn (this isn’t like that scratchy sweater your Great Aunt knit you). ![]() We started with Merino wool because of its small footprint, breathable nature, and extreme softness. We want the softest yarn for all of your special hand-knit treasures. ![]() Loopy Mango Big Cotton, and So Soft Merino are currently available in our brick & mortar and coming soon to our web-shop. ![]() The outlet praised it as one of the most entertaining titles on the console. Ī retrospective feature by the Australian Broadcasting Corporation's program Good Game highlighted Red Alarm as one of the Virtual Boy's most visually impressive games due to its polygonal graphics. Co-reviewer Nicholas Barres hailed it as a "masterpiece", and he considered it to be "the one and only reason to buy a Virtual Boy". Similarly, Danny Wallace of Total! wrote, "On the one hand, it's a pretty impressive 3D spacey shoot-em-up, with a real grip on the Virtual world and all those fancy techniques, and on the other it's an often visually confusing, headache-inducing attempt at being something it's quite obviously not." However, Dave Halverson of DieHard GameFan called Red Alarm "a great shooter" with excellent graphics. The reviewer for Next Generation saw significant promise in Red Alarm, and believed that its elements should add up to "a fantastic game" but the writer panned the final product as a wasted opportunity. Slo Mo and Electronic Gaming Monthly 's Danyon Carpenter and Al Manuel praised the title's control scheme, and the latter magazine's Andrew Baran summarized Red Alarm as "a nifty show-off game". A GamePro writer under the pseudonym "Slo Mo" found the visuals confusing as well, but felt that players could adjust to them. In a more negative review, the publication's Mizu Pin characterized the wire-frame graphics as confusing and frustrating, a criticism echoed by the four reviewers of Electronic Gaming Monthly. Writing for Weekly Famicom Tsūshin, Isabella Nagano called Red Alarm 's stereoscopic visuals "amazing", and Sawada Noda recommended the game to all owners of the Virtual Boy. Later that year, Red Alarm and several other titles were released alongside the console, which debuted on July 21 in Japan and August 14 in the United States. ![]() Red Alarm debuted in North America at the 1995 Winter Consumer Electronics Show, and it was confirmed as a launch game for the Virtual Boy at that year's Electronic Entertainment Expo. Because of the console's limited technology, solid 3D graphics were not viable. ![]() Unlike many Virtual Boy games, Red Alarm features an engine that displays 3D graphics: the game world is rendered in wire-frame polygonal visuals similar to those of the 1980 arcade game Battlezone. This decision was considered by Patrick Kolan of IGN to be "a departure for the team". Although T&E Soft was known for golf video games, the design of Red Alarm was inspired by that of Star Fox, a rail shooter for the Super Nintendo Entertainment System. According to the console's creator, Gunpei Yokoi, Nintendo tried to "maintain as much control as possible" over Virtual Boy game development so that low-quality releases by outside companies could be avoided. Red Alarm was published by Nintendo and developed by T&E Soft, one of the few third-party companies approached to develop for the Virtual Boy. Red Alarm uses wire-frame models (pictured left) rather than solid 3D graphics (right) because of the Virtual Boy's technical limitations. When a level is completed, the player may watch a replay of their performance from multiple perspectives. Four camera angles-three third-person viewpoints and the first-person "cockpit view"-are available. The Tech-Wing may be maneuvered in any direction, and certain levels contain branching corridors and dead ends that force players to retrace their paths. Shields on the craft offer limited protection from enemy fire evasion is critical. The player uses the Tech-Wing's laser cannons to attack, and its guided missiles to destroy armored enemies. ![]() The game is broken up into six levels, each of which culminates in a boss fight. Īssuming control of a "Tech-Wing" space fighter, the player seeks to destroy KAOS's forces and finally its mainframe. An artificially intelligent defense system called "KAOS", which had been used to end the war, becomes sentient and builds an army to wipe out humanity. The game is set during the 21st century, in the aftermath of a 70-year world war that led to the establishment of a utopian society without weapons. As a Virtual Boy game, it features a red-and-black color palette and stereoscopic 3D visuals, the depth of which may be adjusted by the player. Red Alarm is a shoot 'em up that takes place in a three-dimensional (3D) graphical environment. Red Alarm uses a red-and-black color scheme standard to the Virtual Boy. Shield and speed meters appear in the bottom corners of the screen. ![]() The interface is now available in Korean.Now the application blocks forbidden websites even if they are saved in browser cache.Patch K for Kaspersky Safe Kids for Windows version 1.0.5 was released on September 6, 2021. Patch L is installed automatically with the Kaspersky Safe Kids for Windows database update. In patch L, we have fixed several application issues. Patch L for Kaspersky Safe Kids for Windows version 1.0.5 was released on November 2, 2021. Patch M is installed automatically with the Kaspersky Safe Kids for Windows database update. In patch M, we have improved the performance and fixed several application issues. Patch M for Kaspersky Safe Kids for Windows version 1.0.5 was released on February 1, 2022. Patch N is installed automatically with the Kaspersky Safe Kids for Windows database update. Patch N fixes the issue that prevented closing notifications in the child profile under Windows 11. Patch N for Kaspersky Safe Kids for Windows version 1.0.5 was released on February 8, 2022. Patch O is installed automatically with the Kaspersky Safe Kids for Windows database update. Added authentication through Google, Apple and other accounts (the scope varies by region).Forbidden, if you want to block access to online game websites.Īccess to games will be restricted or blocked.Patch O for Kaspersky Safe Kids for Windows version 1.0.5 was released on April 25, 2022.Access to this category of websites will not be blocked. Warning, if you want the application to show a warning when the child opens a website with an online game.Find the Videogames category and select one of the options from the list:.Make sure that Web activity monitoring is enabled.How to limit access to browser online games Restricted to limit the access to the game by setting the allowed period per day.Scroll to find the game app and select:.Make sure that Application monitoring is enabled.This feature is unavailable on iOS devices. ![]() You will find a tutorial video on how to limit the device use time and control access to applications at the end of this article. Profile, where you can view and adjust the account settings for your child.Child’s devices, where you can view the list of the devices used by your child.Social networks, where you can view the statistics on social networks and adjust the monitoring settings.On iOS devices, you can only control access to those applications that are not suitable for your child's age. Applications, where you can view the statistics of the application use and adjust the application use settings.However, the child will receive a warning when the allowed use time expires. Certain iOS features make it impossible to block the child's iOS device. Device use, where you can find reports on the time spent using the device and adjust the time settings.On iOS devices, these features are only available for the built-in Kaspersky Safe Kids browser. Internet, where you can view the statistics on visited websites according to the content categories.Where is my child, where you can view the location of your child and set the allowed area.Summary, where you can view the activity on the child's device for 1, 7, or 30 days.The following report sections are available: You can change these settings and view reports through My Kaspersky and on a mobile device with a parent's profile. Kaspersky Safe Kids automatically adjusts settings according to the age specified for the child's account. ![]() However, in conventional screens, the projectors don’t have the brightness to do 3D justice so, in my view, I wouldn’t recommend it. Not every 4DX movie is in 3D, but if you’re a 3D fan it’s great that there’s another way to see.Īlternatively, No Way Home will also be shown in 3D in standard cinemas. I guess that for web-swinging action, No Way Home should be a good fit for 4DX. I loved it for Ant-Man and Jumanji, but with Rogue One: A Star Wars Story I found it distracting, and for Fast and Furious 9, it didn’t make up for a bad movie. This offers a theme-park ride element to the movie-going experience with moving seats, back of chair pummelling for impacts, blasts of air and water, and flashing lights, which – depending on the movie, either enhances or detracts from the experience. How much of the movie will be offered with this extra field of view is unknown and from my experience, it's very much a gimmick that doesn't add much to the experience. Next on the list of formats are the other two alternatives – ScreenX – which offers extra image to the sides of the screen, for a 270° viewing experience – widening your field of view horizontally rather than vertically. While there are not many Dolby Cinema’s around, you can always look for a large-format screen, known (at least in the UK) as either as Superscreen, iSense or IMPACT, which combines a larger than average screen with 4K projection and Atmos – a step-down Dolby Cinema if you will, but still very high quality. At nearly two and a half hour running time, will be appreciated. Equally, the accompanying Dolby Atmos audio is always outstanding, and, it’s also worth considering that Dolby screens have super comfortable seats. Dolby Cinema offers the best dynamic range, with the strongest colors and highest contrast – it genuinely is the best picture quality you can find in the cinema. While you lose the larger aspect ratio, you gain in terms of picture and sound quality. If reaching an IMAX laser isn’t possible, then next is to check whether there is a Dolby Cinema near you. Failing that, a single laser screen will deliver noticeably better brightness and color than the regular IMAX projectors that use Xenon bulbs. Another benefit is that the dual-laser screens are matched with IMAX 12-channel sound, which is appreciably superior to the regular IMAX 6-channel. ![]() With the whole movie in 1.90:1, either of these formats will technically be the best format to see it in.įor the ultimate experience, you’ll want to track down an IMAX theater with its IMAX GT dual-laser system – which offers the brightness to project onto the very largest screens, especially important for 3D. While IMAX 3D is making a welcome return, you’ll have to search to find a screening, in a reversal of the norm from a few years ago as the vast majority will be in IMAX 2D. The movie is still ultimately framed for 2.35:1, so you won’t miss anything vital if you don’t see it in IMAX, but IMAX theatres offer bigger screens and bigger sound than standard screening rooms, and the fuller picture delivers a wow factor that a great fit for a spectacle-fest such as Spider-Man. ![]() ![]() Of course, IMAX purists will lament that lack of a full-frame 1.43 aspect ratio, it’s still good news. In simple terms, you get more picture above and below the central area. Not only is that exciting for 3D fans, but all IMAX fans will love the fact that No Way Home will be presenting in the IMAX 1.90:1 aspect ratio, which delivers 26% more screen area than all other formats compared to the standard 2.35:1 aspect ratio. Perhaps that is why No Way Home marks a welcome return for the IMAX 3D format, the absence of which as a regular format I lamented a few months ago. The new film is helmed by Jon Watts, who returns to the franchise after directing the first of the MCU trilogy in the form of Spider-Man: Homecoming, and is lensed by cinematographer Mauro Fioren, who won an Oscar for the CGI-flavored work on 2009’s Avatar. Well, hang on to your masks because, as befits a blockbuster of this magnitude, there are seven distinct formats to choose from. ![]() But when the rescue cavalry arrives in a final flourish corresponding with the bad guys suddenly discovering their incompetent side, all the MNEs, AMLs, ATMs, ICOs, TRACs and BSAs finally dissolve into a hearty alphabet soup.Īll Ace Black Movie Blog reviews are here. Stalberg maintains narrative zip and finds enough return-of-the-prodigal-son notes to achieve reasonable momentum, blissfully ignoring the ever expanding plot holes. He is quite functional but on the spectrum, as evidenced by wearing his work suit and office shoes on their scenic hike. Kurt Russell's craggy presence provides Crypto with some of its best moments, while Luke Hemsworth deftly avoids any scenes which don't require him to be on the verge of breaking something or someone.ĭespite the overflowing agenda, room can still be found for a tepid relationship to evolve between Marty and Katie. also has to contend with a whole other storyline, involving a bedraggled potato farm and Marty having to mend fences with his father and brother. Muddled by a rainstorm of acronyms, the evil conspiracy is never quite defined but includes illicit cryptocurrency trading, the dark web, market manipulation, cross-border money laundering, the Russian mafia, corrupt bank officials, shell companies, stone-faced assassins mopping up witnesses, and of the course the old standby, micro chips containing top secrets.īut director John Stalberg Jr. Marty starts a friendship with gallery employee Katie (Alexis Bedel), but as he digs deeper into the books and Earl delves into unusual crypto transactions, the threads of a dangerous conspiracy emerge.Ī melange of hot-button issues compete for attention in the Crypto screenplay by Carlyle Eubank and David Frigerio. At work, Marty uncovers irregularities in the bank's transactions with the art gallery run by maneater Penelope (Malaya Rivera Drew) and her accountant/sex partner Ted Patterson (Vincent Kartheiser). Marty reconnects with his high school buddy Earl (Jeremie Harris), who is engrossed in cryptocurrency trading. Plan accordingly Encrypted folders do not support file-level backups: You can either back up the entire folder or nothing. (Kurt Russell) is a stubborn potato farmer threatened with foreclosure, and his brother Caleb (Luke Hemsworth) is an Iraq War veteran struggling to adjust. A folder must be created with encryption initially: It is not possible to convert an existing folder into an encrypted folder or an encrypted folder into a regular folder. His sympathetic boss Robin Whiting (Jill Hennessy) reassigns him to the small branch in Elba, upstate New York, which happens to be Marty's home town. In Manhattan, Omnicorp Bank anti-money laundering analyst Marty Duran (Beau Knapp) does his job too well and runs afoul of the bigwigs. The execution is decent, but the plot is overloaded with attempted buzziness. A banking conspiracy thriller, Crypto throws too many rows into one spreadsheet. Some digital recorders come with USB ports to transfer the recorded material to separate devices. The term ‘Connections’ in this context refers to ‘Inputs.’ The type and number of inputs you can have to your digital recorder must determine how you will put it into use on your podcast. Both replaceable and fixed batteries come with their advantages and disadvantages, and it’s up to you to decide what goes well with you. Moreover, it is crucial to know the type of batteries your digital recorder is compatible with and if they are replaceable or not. It’s essential to know the battery life of your podcast’s digital recorder as it prevents inconveniences that may come as a result of a loss of power. The ‘mid’ gets the sound from the primary source, while the bi-directional caters for any other sound on the side. This type of configuration is suitable when you are recording sound from multiple sources. The MS (Mid-Side) configuration, on the other hand, includes a cardioid (mid) microphone that directly faces the sound source and a bidirectional (side) mic that faces either left or right. The AB configuration is an optional microphone setup that features two cardioid mics placed inches apart and are either panned to the left or right. By doing that, the sound will reach both mics simultaneously and, as a result, reduce phase problems. That configuration shows cardioid microphones’ centers panned to both the left and right to face the sound source directly. The XY configuration is the most common, to begin with, and it comprises two microphones that are angled at (90-135) degrees while placed at the same point for a stereo-effect. To shed some light on this, here’s some insight into each of the microphone configurations. It is best to pre-determine your mic’s structure to get the best possible audio in your podcast. They include the XV, AB, and MS configurations. There are three possible microphone configurations on any digital recorder. Again, you have to determine the nature of the sound you want to record on your podcast to get the right mic for it. The other lot comes with inbuilt unidirectional mics that concentrate on sounds from one direction. Others come with bi-directional mics that work on sounds from two opposing directions. Several digital recorders have an in-built omnidirectional microphone, which captures sounds from all directions. Microphone Polar patterns greatly influence how sound gets captured from different directions. It is, therefore, imperative that you first determine the environment in which you’re going to use your digital recorder for the best results. Going by that, you find digital recorders that perform best in different settings like in rehearsals, live-performance venues, or even when you need to record outdoor ambiance. Owing to the different modes of passing information in your podcast, Digital Recorder manufacturers have come up with many options, each having the best suitability to a specific niche. When obtaining a digital recorder, you should be mindful of how you’re going to use it in your podcast. What to consider when buying a Digital Recorder Meanwhile, let’s have a look at what you should look for in a quality Digital Audio Recorder. Of course, there are more advantages of having a Digital Audio Recorder other than the one stated above, and we shall come across all of them by the time this article concludes. That will require one or two extra mics, just to make sure everyone is content and that the information reaches out to the targeted audience in the best way possible. However, their ability to deliver accurate and industry-specific information may warrant a joint conversation with a specialist or specialists on the topic at hand. Podcasts are slowly evolving to be one of the best sources of information across all specialties. Importance of having a Digital Audio Recorder for Podcasting ![]() ![]() There are plenty of digital audio recorders that are not worth a fortune but will get your job done just right.īefore we look into the best Digital Audio Recorders, we’ve also guide a separate guide for the best podcasting microphones for any budget, check it out here if you want to learn more.Īlso Read : Best Podcast Microphones For Any Budget However, you can always find a solution in getting yourself a quality digital recorder for the job. If you’re about to begin your podcast show and don’t have quality audio-recording equipment, don’t expect a right turn up. As a result, you will find yourself listening for minutes or even hours since what you’re getting is crystal clear. ![]() If you listen to some of the greatest podcast shows, you won’t fail to notice one thing their audio quality is always on point. Therefore, you must perfect every bit of your audio before releasing it to your intended target. The backbone of every podcast is the message you want to put through to your audience. Index_blueprint = Blueprint('index', index():Īpplication. Views/index.py from flask import Blueprint, render_template ![]() Make it easier for others to maintain the application.įolder Structure of Large Application /app A basic flask blueprints exampleĪ minimal Flask application looks something like this: from flask import FlaskĪ large Flask application can separate one file into multiple files by blueprints. In this article we will learn how to use Blueprint to structure a Flask project. You can reuse Blueprint applications however you cannot run a blueprint on its own as it has to be registered on your main application. Flask Blueprint or Blueprint for short, is a way to organize the related code base between python modules or packages. ![]() They make administration of very large Flask applications easier and as such can be used to scale Flask applications. There are many other features of blueprints that need to be considered when nesting that make a general implementation significantly more complicated. ![]() Is there any way to group them in a more hierarchical manner, like how the templates go under the 'blueprint1/photos' sub-directory? Of course I can put all the photo views in their own module to keep them organized separately, but what if I want to change the parent 'blueprint1/photos' path to something else? I'm sure I can invent a function or decorator that groups related routes under the same root path, but then I still have to name all the functions with the photos_ prefix and reference them like url_for('blueprint1.photos_show') It seems like blueprints are the answer when a Flask app gets large and you need to group and compartmentalize similar parts together, but you cannot do the same thing when the blueprints themselves get large.įor reference, in Laravel you can group related "views" under a Controller class where the views are methods.Blueprints are a powerful concept in Flask application development that allow for flask applications to be more modular and be able to follow multiple patterns. Adding nestable blueprints into Flask is not as trivial as automatically appending a prefix to routes. The problem here is that all the views related to the photos section of blueprint1 are located at the "top level," right with maybe blueprints for videos or audio or whatever (named videos_index().). Rather it is a blueprint of how to construct or extend an application. A Blueprint object works similarly to a Flask application object, but it is not actually an application. Return render_template('photos/show.html', methods=) Blueprints can greatly simplify how large applications work and provide a central means for Flask extensions to register operations on applications. I can't think of a better way of doing it than: # app/blueprints/blueprint1/_init_.pyīlueprint1 = Blueprint('blueprint1', _name_, photos_index(): But what if I need to group routes and logic further under a blueprint?įor example, I have blueprint1 with url_prefix='/blueprint1' and maybe under that I want to have a collection of views revolving around a user sharing photos and other users commenting on them. I think this is pretty much exactly what blueprints are for. ![]() My app is divided into several mostly disparate parts that share things like users/sessions/security and base template and everything but mostly do not interact much, and should be routed under different paths like /part1/. I'm still new to Flask, so there may be an obvious way to accomplish this, but I haven't been able to figure it out so far from the documentation. ![]() See hi-res pictures, compare prices and find your perfect car at. Included in the final payment is an option to purchase fee of £10. Search used Ford Focus RS for sale near you. The agreement is calculated using a fixed rate of interest 6.56% resulting in 12.9% Representative APR and a total amount payable of £4779.95. payments are based on an agreement of 36 months, a cash price of £4,400, with a deposit of £400, leaving an amount of credit of £4000. 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